Book , Print in English

The viewer and the printed image in late medieval Europe

David S. Areford.
  • Farnham, England ; Burlington, VT : Ashgate, ©2010.
  • xvii, 312 pages, [16] p. of plates : colored illustrations maps ; 26 cm.
Subjects
Series
Summary
  • "Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David S. Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic."--BOOK JACKET.
Contents
  • Introduction : the aura of the printed image
  • The materiality of the printed image
  • Acts of viewing
  • The ship and the skeleton : the prints of Jacopo Rubieri
  • Little Simon's body
  • Printing the side wound of Christ.
Other information
  • Includes bibliographical references and index.
ISBN
  • 9780754667629 (hardcover : alk. paper)
  • 0754667626 (hardcover : alk. paper)
Identifying numbers
  • LCCN: 2009023089
  • OCLC: 405105520
  • OCLC: 405105520