Book , Print in English

Printing colour 1400-1700 : history, techniques, functions and receptions

edited by Ad Stijnman and Elizabeth Savage.
  • Leiden ; Boston : Brill, [2015]
  • Copyright Notice: ©2015
  • xxx, 248 pages : illustrations (chiefly color) ; 30 cm.
  • Eisenhower M Level Reserves
    NE1850 .P75 2015 QUARTO c. 1 | Floor map
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Also known as
  • Printing color 1400-1700
Subjects
Local Subjects
Genre
  • History.
Series
Contents
  • note: pt. 1 Introduction to Colour in Printmaking 1400--1700
  • 1. Materials and Techniques for Early Colour Printing / Elizabeth Savage
  • 2. Colour Printing in Relief before c.1700: A Technical History / Elizabeth Savage
  • 3. Colour Printing in Intaglio before c.1700: A Technical History / Ad Stijnman
  • pt. 2 Advent of Colour Printing, c.1400--1500
  • 4. Colour Stamping in the Late Fifteenth and Sixteenth Centuries: Technical Sources and Workshop Practice / Doris Oltrogge
  • 5. Fust and Schoffer Office and the Printing of the Two-Colour Initials in the 1457 Mainz Psalter / Mayumi Ikeda
  • 6. Colour-Printed Pasteprints, 1460s--1480s / Andreas Uhr
  • 7. Birgittines of The Netherlands: Experimental Printers and Colourists / Kathryn M. Rudy
  • pt. 3 Renaissance in Colour, c.1476--1600
  • 8. Printer's Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476--c.1600 / Elizabeth Savage
  • 9. Hans Wechtlin and the Production of German Colour Woodcuts / Alice Klein
  • 10. Ugo da Carpi's Diogenes / Naoko Takahatake
  • 11. Chiaroscuro Woodcut Printmaking of Ugo da Carpi, Antonio da Trento and Niccolo Vicentino: Technique in Relation to Artistic Style / Linda Stiber Morenus
  • 12. Technical Study of Sixteenth-Century Italian Chiaroscuro Woodcuts / Jo-Fan Huang
  • 13. `Divine, August and Immortal': The Potentials and Limitations of Colour Printing in the Low Countries, c.1555 / Edward H. Wouk
  • pt. 4 Vivid Mannerism, c.1588--1650
  • 14. Hendrick Goltzius's Chiaroscuro Woodcuts Revisited / Marjolein Leesberg
  • 15. Durer in Chiaroscuro: Early Modern Graphic Aesthetics and the Posthumous Production of Colour Prints / Anja Grebe
  • 16. `Camaieu' Print in Seventeenth-Century Paris: On the Origins of Multi-tonal Printmaking in France / Alexander Dencher
  • pt. 5 Product Innovation and Commercial Enterprise, c.1620--1700
  • 17. On Hercules Segers's `Printed Paintings' / Jun Nakamura
  • 18. Opus typo-chromaticum: The Colour Prints of Johannes Teyler / Simon Turner
  • 19. Colourful Topography: A Short-Lived Practice in Amsterdam Print Publishing around 1700 / Marrigje Rikken
  • CONCLUSION: Printing Colour After 1700 Jacob Christoff Le Blon and the Invention of Trichromatic Colour Printing, c.1710 / Ad Stijnman.
Other information
  • Based in part on papers presented at a conference entitled "Impressions of colour: rediscovering colour in early modern printmaking," held December 8-9, 2011, at the Centre for Research in the Arts, Social Sciences and Humanities, Cambridge University.
  • Includes bibliographical references and index.
  • Eisenhower copy: Purchased with funds from the Hodson Trust; FY2016.
  • OCLC
ISBN
  • 9789004269682
  • 9004269681
Identifying numbers
  • LCCN: 2015017743
  • OCLC: 912045294
  • OCLC: 912045294